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An Age-Old Question:
who's the "man" in the relationship?


​Isis shephard, November 2025

Who pays for a date between two women? A question debated since the times of secret letters when desires were smuggled to your neighbor’s wife through pie recipes.

Who pays for a date between two men? Do they fistfight to the death in the middle of a secret arena in the restaurant? 

Society's obsession with gender, sexuality, and the perfect nuclear family is an odd and outdated practice with such rigid rules that when applied to anything that doesn’t fit the strong-man/docile-female roles, it collapses and reveals its own absurdity.

Masculinity rules in our patriarchy. Masculinity pays. Masculinity leads. Masculinity decides. Masculinity shoulders responsibility. And femininity, in these tired plays, exists only in relation to that masculinity and nothing more.

These made-up standards are so embedded in our every move that it is impossible even for the most gold star feminist to exist without promoting the patriarchy. So even in lesbian relationships, where no man is present, people often unconsciously drag these scripts along. 

A common answer to the dinner question: “She’s the more masculine one, so she pays.” None of these roles are inherently wrong. After all, if you want to be a housewife, by all means, take that role with pride. Humans play with gender, enjoy power dynamics, and express themselves in countless ways. But what’s revealing is how often these dynamics are expected, as if a relationship must assign someone the “man” role before it can function. After all, people ask, who's the protector? 

Where there’s no man, society rushes to create one. Even some lesbians find themselves using terms like “man” or “daddy,” not just for kink or affection, but because our language for power, care, and structure is closely associated with men. 

It’s not just that society expects a man in every romantic dynamic. It’s that society still treats men as the template for humanity itself.

feMALE. woMAN. huMAN.

Linguistically and socially, women are treated as an add-on to a male default. Even our everyday vocabulary carries the imprint of systems where men were and still are the standard edition and everyone else is a variation.

It’s no wonder that when people look at a lesbian couple, their first instinct is to ask, “Okay, but which one is the man?”

Not because there is one, but because society struggles to understand relationships without inserting masculinity somewhere as the anchor.

It’s not that queer people can’t imagine new models. They do, all the time. It’s that the world around them still struggles to operate without its same blueprint; one where masculinity is the center, femininity the variation, and relationships are only legible if someone plays the “man part.”

So, when the world asks, “Who pays for the lesbians’ dinner?” the subtext is really:
Who’s the default human here? Who’s the authority figure? Who holds the social power? Because our culture has been trained to believe masculinity answers those questions, we try to assign someone that role, even in places it doesn’t belong, like the dinner table.
Perhaps life would be easier for women who date women if they could summon a man each time a check arrives. Maybe it would be more entertaining if every dining experience came with complimentary male fistfights over a plate of pasta.

But would it be more free?

Will we ever be free as long as we live within the constraints of our own inherited scripts?
Picture

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  • Home
  • Meet Us
  • This Month
    • BALM Radio >
      • September 2025
      • October 2025
      • November 2025
      • February 2026
      • March 2026
      • April 2026
    • Op-Eds >
      • Stay Skinny!
      • Stranger Things: Kill Your OCs
      • "Does He Know?": Do YOU Know Why Paul Dano Is So Great?
      • Creator vs. Creation: Mothers, Daughters, & The Generational Divide
      • The Ballad of Songbirds and Snakes: How Snow Really Falls
      • Know Your Rights: What To Do Around Ice
    • CREATIVE WRITING >
      • Impermanence
      • Am I not American Enough?
      • The Moonlight Behind The Blinds
      • Acceptance Letter
      • I WIsh I was Your Son
      • Due East
      • Once For The Moon
      • turn off the lights, close your eyes, and pretend i'm a real boy
      • Broken Nail
      • Midnight Confessions
      • The Pencil In My Hand Does Not Move
      • Chloropromazine Chapter 1
      • One
    • Cooking Corner
    • Artist Corner
    • Media Reviews >
      • TV SHOW REVIEW: Beastars
      • MOVIE REVIEW: Spider-Man: Brand New Day
      • SONG REVIEW: "Lover, You Should’ve Come Over"
    • Sports Panel >
      • Boys Swim: Senior Highlight
      • Girls Swim: Senior Highlight
      • Girls Basketball: Senior Highlight
  • Featured Article
    • I'm Not Cute Anymore: The Adultification of Black Girls
  • Teacher's Corner
    • Teachers Corner: DeVaul
    • Teachers Corner: Ejzak: How to Combat chatGPT? Embrace the Same Anti-Authoritarian Teaching Practices We Should’ve Been Doing All Along
    • Teacher's Corner: Mr. Hazzard's Love Letter To Brooks
    • Teacher's Corner: Gordon
    • Teacher's Corner: Wilde
    • Teacher's Corner: David
    • Teacher's Corner: Ejzak
    • Teacher's Corner: Rago
  • Archive
    • 9.25 >
      • Two
      • Young and Pretty
      • Chimeras: Growing Up in Majority-White and Majority-Black Schools
      • My Favorite Color Used To Be Pink
      • Good Mother
      • Cancel the Mouse: Why New Disney Sucks
      • Is Hope the New Punk Rock?: Superman Movie Review
    • 10.25 >
      • Ignorance Is PURE Bliss
      • The Subjectivity of Creativity: How Wrongful Interpretation is Dangerous
      • Petty Games
      • If You're So Wise, Why Do You Come Off So Passionless?
      • How Animal Farm by George Orwell Still Speaks Today
      • How To Train Your Hyper-Realistic Live Action Reboot
      • Absense of August
      • Art fight Collection
    • 11.25 >
      • The Overconsumption Cycle
      • My Experience Being Painfully Insecure.
      • An Age-Old Question
      • They Hate Us Cause They Ain't Us
      • Transgressions Against the Father
      • Watership Down
      • The Black Phone 2: More is Less
      • How Fish Became Gods
    • 1.26 >
      • The Concept of One Individual
      • Deathbot Chapter 3 Part 1
      • Deathbot Chapter 3 Part 2
      • Deathbot Chapter 4
      • Police & Black Americans—The Battle for Civil Rights
      • White Hair Braiders
      • The Dust Under My Bed
      • Popular (Wicked)
      • “Carpe Diem, Seize The Day.” - A Media Review On Dead Poets Society
      • They Could've Made Anything, but They Chose This Book
    • 2.26 >
      • The Only Thing More Powerful Than Hate is Love
      • Deathbott Chapter 5
      • Is it Possible to Separate Art From the Artist?
      • Take Things Seriously
      • Blood-Covered "Love"
      • Sunflower
      • Iron Lung Review
      • Night In the Woods Analysis: The Hole At The Center Of Everything
    • 3.26 >
      • My Beautiful Spring
      • I, Who Have Worn Many Faces
      • And I Wonder (Kanye West)
      • Danganronpa Trial 3's: They Suck
      • Deathbott Chapter 6
      • YOLO OR YËAT
      • It's time to start indulging
      • Anybody can be Spider-Man
      • Arrow Through The Chest
      • Creativity Is A Burden On The Creative
      • Dear Jane Doe
      • Invisible Thread
      • What Could I Be
      • Ramadan
      • Weather Boy
    • 4.26 >
      • Invisible
      • Strength in Words
      • If He Loved Me
      • The Pain That I Love
      • Love is Not For People Like Me
      • ULTRAKILL (Media Review)
      • Firebreak
      • Penny
      • Deathbott Chapter 7
      • 5 Misconceptions of Islam
      • Is Love Childish?