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​Get Out:
A Staple in Horror
​After Nearly a Decade

Aniya Winters, January 2026

Get Out is a horror, thriller, and mystery film directed by Jordan Peele. It follows Chris, a Black photographer who visits his white girlfriend, Rose, and her parents at their isolated estate for the weekend. During his stay, Chris discovers that Rose and her family transplant their consciousness into the bodies of Black people. The film blends elements of racial stereotypes, psychological thrillers, and slasher horror. It combines tropes that you wouldn’t typically see in the same movie, yet still manages to remain cohesive and engaging.

Get Out has some of the best pacing you’ll find in a film. The story unfolds gradually and with suspense. It gives subtle cues and unsettling interactions that build toward a frantic, horrifying climax where the initial unease transforms into full-blown terror. It keeps the audience on edge and fully entertained.

Most importantly, the film explores the oppression of Black people. This is shown in multiple ways—Black individuals being exploited in a way that isn’t immediately obvious, and Chris being surrounded by white people in a manner that reflects how Black people often feel in predominantly white spaces.

Get Out is regarded as a great film because it successfully blends genres and uses metaphors to explore real-world issues. It’s an original concept paired with strong performances and thoughtful use of cinematic tropes to examine modern-day racism.
​

I personally love the movie because it was a powerful debut from Jordan Peele, showcasing only a portion of his cinematic talent. He creates films centered on concepts that aren’t often explored—and when they are, they’re rarely done well. His movies encapsulate unique themes while featuring phenomenal performances. They succeed at being frightening on the surface while offering deeper meaning underneath.

ANIYA WINTERS

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  • Home
    • LGBTQ+ Resources
    • Student Businesses
  • Meet Us
    • Socials >
      • Google Forms
  • This Month
    • BALM Radio >
      • September 2025
      • October 2025
      • November 2025
    • Op-Eds >
      • Know Your Rights: What To Do Around Ice
      • The Words That Changed My Life: Part One
      • Police & Black Americans—The Battle for Civil Rights
      • White Hair Braiders
      • Ignorance is bliss, and open ignorance causes blisters
    • CREATIVE WRITING >
      • Tired Peppermints
      • Where I found Red Snow
      • my love is not unconditional.
      • What Happened? (Then and Now)
      • Popular (Wicked)
      • The Epitome of the Expression of Form
      • Approval
      • The Dust Under My Bed
      • Hate This And I Love You
    • Artist Corner >
      • Dog.
      • When you have a bat, everything looks like a ball.
      • Deathbott Character Art
    • Media Reviews >
      • “Carpe Diem, Seize The Day.” - A Media Review On Dead Poets Society
      • Welcome to Derry: Season 1
      • Sweet Home: Season One
      • The World Is Wonderfully Wicked
      • They Could've Made Anything, but They Chose This Book
      • The Amazing Digital Circus
      • Get Out: A Staple in Horror After Nearly a Decade
    • Sports Panel >
      • Boys Swim: Senior Highlight
      • Girls Swim: Senior Highlight
      • Girls Basketball: Senior Highlight
  • Featured Article
    • The Concept of One Individual
    • Know Your Rights: What To Do Around Ice
  • Teacher's Corner
    • Teachers Corner: DeVaul
    • Teachers Corner: Ejzak: How to Combat chatGPT? Embrace the Same Anti-Authoritarian Teaching Practices We Should’ve Been Doing All Along
    • Teacher's Corner: Mr. Hazzard's Love Letter To Brooks
    • Teacher's Corner: Gordon
    • Teacher's Corner: Wilde
    • Teacher's Corner: David
    • Teacher's Corner: Ejzak
    • Teacher's Corner: Rago
  • Archive
    • 9.25 >
      • Two
      • Young and Pretty
      • Chimeras: Growing Up in Majority-White and Majority-Black Schools
      • My Favorite Color Used To Be Pink
      • Good Mother
      • Cancel the Mouse: Why New Disney Sucks
      • Is Hope the New Punk Rock?: Superman Movie Review
    • 10.25 >
      • Ignorance Is PURE Bliss
      • The Subjectivity of Creativity: How Wrongful Interpretation is Dangerous
      • Petty Games
      • If You're So Wise, Why Do You Come Off So Passionless?
      • How Animal Farm by George Orwell Still Speaks Today
      • How To Train Your Hyper-Realistic Live Action Reboot
      • Absense of August
      • Art fight Collection
    • 11.25 >
      • The Overconsumption Cycle
      • My Experience Being Painfully Insecure.
      • An Age-Old Question
      • They Hate Us Cause They Ain't Us
      • Transgressions Against the Father
      • Watership Down
      • The Black Phone 2: More is Less
      • How Fish Became Gods