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흑인들이 보낸 것입니다 (This Came From Black People)
Vanessa Walston, october 2025

K-pop is everywhere. It’s catchy, fun, and full of talent. But as a Black person living in America, I ALWAYS get frustrated watching how K-pop has taken so much from Black culture—our lyrics, clothing, and even hairstyles—and yet somehow, they get all the credit for it. People have ultimately forgotten where it all came from.

​In all seriousness, the roots of K-pop are built on Black creativity. The raps, R&B vocals, the dance moves all came from Black artists and communities who made them out of struggle and power. Black people, since slavery, have found the light in the bad times, and music was a huge way for us to overcome and fight back against injustices in the world. But now, when K-pop idols do it, it’s seen as trendy, while when we do it, it’s “ghetto”. That double standard is exhausting.

What hurts most is the erasure. So many fans around the world have no idea that the things they love in K-pop started in Black culture. They think it’s something new that Korea made up, when in reality, it’s something we’ve been doing and perfecting for generations. Black people created these sounds and styles before K-pop even existed. 
It’s not just about copying; it’s about respect. If you’re going to profit from a culture, you should honor the people who made it. K-pop companies have blatantly stolen from Black culture and given no credit. Take "Hot Sauce" by Babymonster, for example: the entire song is sampled from "Supersonic" by J.J. Fad. Yet no credit was given where credit was due, resulting in the hip hop group calling the K-Pop idols and their company out. Idols should acknowledge their Black influences and even speak up when fans cross the line into racism. Appreciation means giving credit and standing with us. Not just taking what looks cool.

As a Black person, it’s tiring to always see our culture celebrated only when someone else wears it. We are the blueprint, so tell us our style is appreciated, but don’t go and tell the copycat years later. We deserve recognition, respect, and the right to be seen as the originators of what the world now loves.
​
K-pop proves that music can connect people across countries and languages. But a connection without credit isn’t real unity; it’s just another form of taking. If the industry truly values the culture it borrows from, then it’s time for it to give us our recognition and let the people know: “This came from Black people.”


VANESSA WALTSON

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  • Home
    • LGBTQ+ Resources
    • BALM Founders >
      • Sports/Clubs
    • Student Businesses
  • Meet Us
    • Socials >
      • Google Forms
  • This Month
    • BALM Radio >
      • September 2025
      • October 2025
    • Op-Eds >
      • Know Your Rights: What To Do Around Ice
      • The Nature of the Soul: A Brief Insight
      • I'm Not a Writer: Small Things to Live For in the Winter
      • The Subjectivity of Creativity: How Wrongful Interpretation is Dangerous
      • A Talk About Illegals
      • We're All Racist
      • Being fast is a disease
      • 흑인들이 보낸 것입니다 (This Came From Black People)
      • Why Won't You Listen To Me???
    • CREATIVE WRITING >
      • Petty Games
      • The Diary of A Poet
      • Thunder
      • Blood
      • Woes of the Mediocre
      • Why I Follow Jesus
      • Those Girls
      • Eviscerated
      • DayDreamer
      • Masked
      • You Bring Out the Artist in Me
      • The Stars
      • God Bless America
      • Class of 2013
      • Lost and Never Found
      • If You're So Wise, Why Do You Come Off So Passionless?
      • Deathbot Chapter 1
      • In Every Universe
    • Artist Corner >
      • Europe Photos
      • Deltarune: The "Real" Reality
      • Guitar Object Study
      • Absense of August
      • Three of the LiB
      • Art fight Collection
    • Media Reviews >
      • How Animal Farm by George Orwell Still Speaks Today
      • Back To The Beginning: The Summer I Turned Pretty Season 1 Review
      • Alcoholism, Parasites, and Trauma in Weapons.
      • Perfectly Imperfect: Gilmore Girls Review
      • Hatchetfield Trilogy Review
      • How To Train Your Hyper-Realistic Live Action Reboot
  • Featured Article
    • Know Your Rights: What To Do Around Ice
  • Teacher's Corner
    • Teachers Corner: DeVaul
    • Teachers Corner: Ejzak: How to Combat chatGPT? Embrace the Same Anti-Authoritarian Teaching Practices We Should’ve Been Doing All Along
    • Teacher's Corner: Mr. Hazzard's Love Letter To Brooks
    • Teacher's Corner: Gordon
    • Teacher's Corner: Wilde
    • Teacher's Corner: David
    • Teacher's Corner: Ejzak
    • Teacher's Corner: Rago
  • Archive
    • 9.25 >
      • In Another Universe
      • Two
      • Is Hope the New Punk Rock?: Superman Movie Review
      • Pretty in Pink
      • Cancel the Mouse: Why New Disney Sucks
      • Lampshade
      • Rose Garden
      • My Favorite Color Used To Be Pink
      • I'm Not a Writer: The Importance of Being Bad at Things
      • American Circus
      • Freedom Within The Soul
      • Watering Can
      • Are America’s Food Regulations Really Keeping Us Safe?
      • You!!
      • My Father's Son
      • Good Mother
      • Broken Mold
      • Young and Pretty
      • Pluto
      • Always.
      • Eyes
      • Two Summers
      • "Are You Stupid?"
      • Chimeras: Growing Up in Majority-White and Majority-Black Schools